Capture & Keep, home
  1. 1944, drawn as a black and white box-camera print: a child and a woman on a station platform1944 She is six
  2. 1956, drawn as a deckle-edged print: deckchairs facing the sea1956 Eighteen
  3. 1965, drawn as a square colour print: a terraced street with a red Mini1965 Twenty-seven
  4. 1976, drawn as a faded colour print: a front room in the heatwave summer1976 Thirty-eight
  5. 2026, a photograph: an older woman and a younger woman talking2026 Somebody finally asks

One illustrative life, drawn for this design, not a client. Tap a year to read its chapter.

Every story is worth keeping, before it is lost.

Amanda Yaffe-Parker records relaxed conversations with somebody about the life they remember, and writes it into a life story the family keeps, in their own voice.

From £250. Nothing happens until you are sure.

Not family trees, and not ancestry research. One person's life, within living memory, told by the person who lived it.

“Nearly every person I speak to begins by telling me that there is nothing to tell. Not one of them has been right yet.”Amanda

One life, eighty years

Somebody says there is nothing to tell. Then you look at what they lived through.

Here is one life, decade by decade, each told the way that decade's photographs looked. Every chapter opens with a real question from Amanda's hundred: the ones that bring back what a photograph leaves out.

Illustrative life, a design demonstration, not a client

Drawn scene: a station platform under a canopy, a woman and a small child with a suitcase walking towards a steam train
Box-camera print. Black and white, a narrow white border, a little dark at the corners. Drawn for this design.

1944

She is six.

A label on her case, a train out of London, and a farmhouse in Suffolk whose kitchen she can still describe to the inch.

Question 4 of the hundred

What did it smell like on a Sunday?
Drawn scene: two people in striped deckchairs facing the sea, beach huts, a groyne, a pier and a paddle steamer on the horizon
Deckle-edged print. The scalloped border the chemist's printing machine cut. Drawn for this design.

1956

She is eighteen.

A works outing to Clacton: the pier, a hired deckchair, and the friend from the typing pool she would write to for sixty years.

Question 73 of the hundred

Where did you go on holiday, and how did you get there?
Drawn scene in bright colour: a terraced street with red, blue and yellow front doors, a navy pram, a red Mini with a white roof, a tower block and crane behind
Square colour print. The cartridge-camera years: bright colour, rounded corners, a white border. Drawn for this design.

1965

She is twenty-seven.

A terrace in Colchester, a red Mini that was mostly his pride, and a first baby asleep in the pram by the front door.

Question 49 of the hundred

What was the first home the two of you had?
Drawn scene in faded colour: a front room with circle-pattern wallpaper, orange curtains, a television on legs, a trimphone, and a brown lawn through the window
Faded colour print. Borderless, rounded corners, and fifty years of the blue-green dye fading, so everything drifts towards red. Drawn for this design.

1976

She is thirty-eight.

The summer the lawn went brown. The children lived outside, and the new telephone in the front room rang for her mother every Sunday at six.

Question 80 of the hundred

What was the first telephone, television or washing machine you had?

2026

She is eighty-eight.

Amanda sits with her, the recorder on the table between them. She starts by saying there is nothing to tell. By the last conversation, the Sunday smell of that Suffolk kitchen is on the page, in her own words.

Question 94 of the hundred

Where did that photograph on the wall get taken, and who is in it?

The life above is invented to show the idea; it is not a client. The four scenes are drawn for this design, each finished like the photographs of its decade. The questions are real: read all hundred.

How it works

There is no interview to prepare for.

Amanda handles the whole process, gently, from the first phone call to the moment it is yours to keep. Three pictures, from the first conversation to the finished book.

  1. A recorder and two mugs on a small table between armchairs

    1 We talk

    Amanda spends time with you over a series of relaxed, recorded conversations, at their pace and in their own chair. Nothing has to be ready in advance, and the things that come back a week later go in too.

  2. Two women looking through pages together

    2 Amanda writes

    She shapes those conversations into a properly written life story, keeping the person's own voice throughout. You see a full draft first.

  3. 3 Your book is made

    The finished story becomes exactly what you want to keep: a professionally produced hardback, the original recordings, or a digital copy.

Amanda also works from what a family already has: the recordings, photographs, letters and half-finished journals sitting in drawers. See how it works, in full

Which of these is you?

Most people come to this for one of three reasons.

A gift, for an occasion

For an occasion already circled

A landmark birthday, an anniversary, a retirement after forty years, or a grandchild who has just arrived.

See gift options
  • His 80th is in a few weeks
  • Their ruby or golden anniversary
  • Retiring after a working life
  • A new grandchild, and a story for them to grow into

While there is still time

Because something has changed

A parent growing more frail, a diagnosis that has shortened the timeline, or memory beginning to fade.

See what is possible
  • A parent or grandparent, ageing now
  • A diagnosis has changed things
  • Memory beginning to change
  • They are moving into care

After they have gone

Piecing it together from what is left

For the story that was not written down in time, built from letters, photographs and the people who remember them.

See how this can still work
  • Letters, photos and fragments, woven into one book
  • What family and friends remember, gathered properly
  • A book to mark the anniversary of a loss
  • The questions you wish you had asked

Your own story. Want to tell your own story instead, in your own words? This is for you too.

Telling your own story

Or do it yourselves. The questions and guides are free, and they are the same ones Amanda uses.

Start with the questions

What you end up with

A real book, made properly.

Not a printout in a ring binder. Something that sits on a shelf for fifty years and gets handed down.

Drawing of a green cloth hardback with a print set into the cover

What it reads like

I started on the factory floor at sixteen, sweeping metal shavings for four pounds a week, and thirty-eight years later they gave me a clock and a cup of tea in the same building. In between there was a wife, three children, a strike I still have opinions about, and more good men than bad ones. Nobody had ever asked me to say any of that out loud before, let alone write it down.

From a sample passage. Written to show the style. Not a real client.

Read all three passages
Before print
You see a full draft before anything is printed.
The shape
A hardback, a digital copy, the edited recordings: worked out with you.
More copies
Extra copies for the family, from £95 each.
Who does it
Amanda conducts every conversation herself.

Pricing

Three ways to work together, whatever this moment calls for.

No hourly rates, and nothing added later. Nothing happens until you are sure.

The Memory Kit Coming soon

£30

Not yet available

Answer a set of questions together, in your own time, then send the recording to Amanda. Decide about the write-up whenever you are ready.

Bespoke

On the call

Fully custom

For a project that needs something beyond the usual shape.

Giving it as a gift? What you give on the day is the voucher, and they decide afterwards. Gifts and occasions · See full pricing

The person who writes it

“The skills that matter most here were not learned in a boardroom.”

I have spent fifteen years in some of the UK's top advertising and marketing agencies, managing projects for big corporate clients. But the thing I have been most passionate about throughout my career has always been the same: people's stories, and how to tell them well.

I studied psychology early on and later trained in therapy, and that fascination with what makes people who they are led me to train as a Samaritans listener. I spent years as a voluntary befriender to elderly men and women, many of whose stories have stayed with me ever since.

  • Samaritans trained listener
  • 15 years managing projects
  • Level 4 Accredited Counselling training

Meet Amanda

Questions, guides and practical help

Most of what Amanda knows is on this site, free.

Plenty of families do this themselves, and they should. If you try it and would rather hand it over, you will know where she is.

Start a conversation

Let's keep their story, together.

Tell Amanda a little about who the story is for. There is no obligation, no pressure, and no salesperson at the end of it. Only her.

If time is short, message Amanda on WhatsApp. She will reply as soon as she can.

Design concept, not the live site